我愛Claude Monet 
所以當我知道又有莫內的畫作來台展出時   我便決定我一定要來欣賞!
自從2000年參觀法國橘園美術館帶來的【世紀風華】畫展後  我就愛上了Claude Monet
他最為人熟知的就是《日出、印象》以及一系列睡蓮的作品
但我偏偏愛上了《阿爾讓特 Argenteuil》這幅畫作  觀賞請按此
每當看到《阿爾讓特 Argenteuil》這幅畫作   我的心情就好雀躍也好激動 (請容我緬懷一下)
我不是美術系的學生  我說不出畫作怎麼個精彩法  但我知道那幅畫深深的震撼了我
我忘不了當年我全神貫注看著那幅畫的瞬間  我永遠記得我的眼神緊緊的被它給吸住了
這輩子 我覺得我一定得再見到它一次才行  (哈~~ 等尚臨大了一定要帶他去一次法國欣賞!)
對2000年【世紀風華】畫展有興趣的人可至該處欣賞部分作品  或上拍賣網站上購買導覽手冊

回到正題  今天參觀的是費城美術館之【從馬內到畢卡索】
有一個參觀重點一定要跟準備要去看展的人先說
從"入口"到"截票口"這段  有本次畫展中的每一位畫家的一句語錄
我並不清楚這些語錄的摘錄準則  (是每位畫家對繪畫的看法  還是其畢生的經典名言...?)
但強烈建議參觀者停下腳步來好好閱讀  最好是抄下來 (因為不能拍照  所以只能用筆記錄)
(拍謝~ 我沒有買導覽手冊  所以我不知道販售的導覽手冊中有無紀錄)
為何建議一定要了解呢?  因為我相信不是大家對每位畫家都有仔細研究過
但我抄下了每位畫家的語錄  當走到他的畫作面前時  我先閱讀了畫家他的想法或是對繪圖的重點
我再去欣賞他的作品時  我絕大部分都能更加的暸解其創作精神  或是創作時心境
雖然仔細閱讀並抄下每一句語錄佔用了很多時間  但我覺得很值得
在此就把我抄下來的分享給即將要去觀展的人先閱讀吧!

 

Vincent Willem van Gogh   1853-1890  Netherlands-born French Post-Impressionist Painter
Making sketches amounts to a planting of seeds that grow into paintings.

Jacques Lipchitz   1891 – 1973   Lithuanian-born French Cubist Sculptor
In the midst of death there is love and procreation and birth. This is how the sculpture came about as a hopeful and optimistic reaction to tragedy.

Henri Matisse   1869–1954   French Fauvist Painter and Sculptor
That which I dream of is an art of balance, of purity, of tranquility, without disquieting or preoccupying subjects, which is...an emollient, a balm for the mind, a thing analogous to a trusty armchair which absolves the body of its weariness.  

Amedeo Modigliani   1884–1920   Italian Expressionist Painter and Sculptor
I try to formulate with the greatest clarity, the truth about art and life, in the way that I experienced it.

Paul Gauguin   1848–1903  French Post-Impressionist Painter
The work of a man is the explanation of that man.

Joaquín Sorolla y Bastida   1863 –1923   Spanish Realist and Impressionist Painter
By reason of his native genius and stubborn will-power he became what he is — the painter of vibrating – by James Gibbons Huneker

George Braque   1882–1963   French  Fauvist and Cubist Painter
Art is made to disturb. Science reassures.

Alfred Sisley   1839–1899   French Impressionist Painter
All painting represents some thing with which the painter has fallen in love.

Robert Delaunay   1885–1941   French Cubist Painter
Even if art cannot liberate itself from the object, it can leave behind a description.

Joan Miro   1893–1983   Spanish Surrealist Painter and Sculptor
I don't invent anything. Everything is here.

 Edouard Manet   1832-1883   French Impressionist Painter
The truth is this, art should be the writing of life.

Camille Pissaro   1830–1903   French Impressionist Painter
Paint liberally and without hesitation to preserve the freshness of the first impression.

Maurice Utrillo   1883–1955   French Modernist Painter
In all works of art, human feeling should have priority over aesthetic systems or pictorial methods.

Edgar Degas   1834–1919   French Realist and Impressionist Painter and Sculptor
Painting, it is very easy when you don t know how to paint. Once you know, it is very difficult.

 Eugene-Louis Boudin   1824–1898   French Impressionist Painter
All that is painted directly from the subject has always a force, a power, a touch of life that one loses in the studio. The first impression is the best, one must attach oneself to it and refuse to budge from it.

Mary Stevenson Cassatt   1844-1926  American Impressionist Painter and Printmaker
I have touched certain people with my artistic sensibility - they have received the sensations of love and life. To what can one compare this joy for an artist?

Georges Rouault   1871-1958   French Fauvist and Expressionist painter
The artist renounces all the theories, both his own and those of others. He forgets all when facing his canvas.

Fernand Leger   1881-1955   French Cubist Painter,
The figure of a human is no more important than that of a key or a bicycle.

Pablo Picasso   1881-1973   Spanish Cubist Painter and Sculptor
I have directed my life towards learning how to draw like a child.

Andre Derain   1880–1954   French Fauvist Painter
Color is the materialization of light. Thus it is also a materialization of the spirit. Color fixes the light. Where there is light, there is spirit.

Juan Gris   1887–1927   Spanish Cubist Painter and Sculptor
Cézanne made a cylinder out of a bottle. I start from the cylinder to create a special kind of individual object. I make a bottle - a particular bottle - out of a cylinder.

Jules Pascin   1885-1930   Bulgarian-born French Expressionist Painter
Oh, how stupid are  the people that they cannot see taht all my capatities as a painter are revealed in my drawing and not in the painthings which require a whole set-up appurtenance.

Claude Monet   1840–1926   French Impressionist Painter
Color is my daily obsession, my joy and my torment.

Auguste Rodin   1840–1917   French Sculpture-Impressionism Sculptor
When a good sculptor shapes a human body, he does not only represent musculature, but also the life that reanimates it.

Paul Cézanne   1839-1906  French Post-Impressionist Painter
When color is in its fullness, form is in its plenitude.

Henri Julien Félix Rousseau   1844-1910  French Post-Impressionist painter
As I enter the greenhouse in the Jardin des Plantes and I see strange plants from nations exotic, it seems as if I have entered into a dream.

Marcel Duchamp   1887-1968   French Futurist Painter
The great enemy of art is good taste.

Marsden Hartley   1877-1943  American Modernist Painter
The forms are only those which I have observed casually from day to day. There is no hidden symbolism whatsoever in them…

Pierre-Auguste Renoir   1841-1919  French Impressionist Painter
You arrive before nature with theories, and nature casts them all to the ground.

Pierre Bonnard   1867-1947   French Impressionist Painter
Painting must return to its initial object, the examination of the interior lives of human beings.  

Georgia O'Keeffe   1887-1986   American Painter
I said to myself "I have things in my head that are not like what anyone has taught me - shapes and ideas so near to my - so natural to my way of being and thinking that it hasn t occurred to me to put them down." I decided to start anew to strip away what I had been taught.

Yves Tanguy   1900 – 1955   French-born US Surrealist Painter
The painting develops before my eyes, unfolding its surprises as it develops.

Marc Chagall   1887-1985   Russian-born French Surrealist Painter
My circus performs in the sky.


*粗體字是我個人覺得認同或欣賞的語錄

 

 

接下來我要分享一下  這次畫展中我有所感觸的畫作~
本次展覽中  我最愛的一幅畫  還是Claude Monet 的作品 ─ 艾特達的岩門 Manne-Porte
在欣賞這幅畫作時  我發現站在面對畫作的左邊觀賞與右邊觀賞  視覺重點會自然不同喔   真的很讚~~

第二名仍是  Claude Monet 的作品 ─ 昂蒂布之晨Morning at Antibes
Monet 說昂蒂布Antibes這個地方風景很美   但讓他很難下筆   
他深怕清澈的粉紅色與藍色風景在他筆下變成一團污泥!  (Monet 真是太謙虛了...)
這幅畫也很美  我沒有聽過以"清澈的"此種用詞形容粉紅色這種暖色又夢幻的色彩
但Monet 真的做到了   他畫出了""清澈的粉紅色""   完全沒有厚重感   真是厲害!

Eugene-Louis Boudin  毆仁‧布丹 ─ 特胡維爾一景View of Trouville
同導覽手冊上說的  他真的很善於描繪天空與雲朵  這幅作品也讓我留下較深刻的印象

Pierre-Auguste Renoir  雷諾瓦 ─ 林蔭大道The Grands Boulevards
大家都很熟悉這位印象派大師   他以郊外或鄉村的社交活動作品著名
這幅畫也是令人觀賞起來很舒服的一幅畫  是描繪當時忙碌的巴黎市景  

Mary Stevenson Cassatt  卡塞特─ 包廂裡戴珍珠項鍊的女人 Woman with a Pearl Necklace in a Loge
畫者她喜愛燈光效果  因此她也擅長描繪出光影照射在肌膚與衣服上所形成的光影層次
這幅畫她便充分的展現出她的創作重點  及其繪畫功力

Edgar Degas  竇加 ─ 芭蕾舞課The Ballet Class
導覽手冊上寫道:透過X光機觀察此畫作發現畫中的場景安排,是竇加多次草擬與修改後才定案的
再搭配入口處摘錄的竇加語錄對照   便清楚知道   真的是Once you know(know how to paint), it is very difficult!!

Paul Cézanne  保羅‧塞尚 ─ 塞尚夫人Portrait of Madame Cézanne
導覽手冊上的解說   讓我看這幅畫時更感傷憂鬱
為親愛的另一半至少完成了44幅作品   卻得不到愛人的認同   Poor Paul Cézanne

Henri Julien Félix Rousseau 亨利‧盧梭 ─ 風景與牛Landscape with Cattle
因為導覽看板上寫亨利‧盧梭是位未受正規訓練的業餘畫家   我便聽到兩位女生不客氣的批評起他的作品
一下子嫌哪裡畫不好  一下子又說牛與樹木的比例差很大...等等
我實在覺得真替亨利‧盧梭抱屈   繪畫這種東西是很個人的   觀賞者的喜好雖各有不同但也不能這樣批評別人吧!
而且亨利‧盧梭還是位很有名的畫家 (業餘的又怎樣?  他比很多正統訓練下的畫家更為人所知哩!)

Pablo Picasso畢卡索 ─ 女人與小孩Woman and Children
這幅畫是畢卡索相當出名的作品   真品很大一幅   我喜歡他畫他前妻女兒的樣子   很可愛

Robert Delaunay 德洛內 ─ 艾菲爾鐵塔Eiffel Tower
這幅畫很特別   是較少見的細長型作品   我喜歡畫者描繪鐵塔左下方的大型女子人像的方式  

Marcel Duchamp  馬歇爾‧杜象 ─ 藝術家的父親Protrait of the Artist's Father
雖然不認識畫家的父親  但透過他的描繪不難看出其父親的形象及威嚴
且父親節後欣賞這幅作品  格外有感覺  呵呵~~


另外我必須要小小質疑一下北美館對於Henri Matisse  亨利‧馬諦斯的畫作陳列之安排
第一:他的作品編號是No.32~35 & No.42  而No.42作品卻是被安排在另一節的展覽室裡 (很怪吧?)
第二: No.32/34/35/42 算是屬於同一時期的創作 ~ 1920年代「尼斯時期」:畫作多為裝潢華麗的旅館陳設,以及明亮光線與慵懶宮女。可是展出順序中間卻安插了No.33這幅1937年的作品,雖然描繪內容也是華麗的旅館陳設+慵懶宮女,但是整個用色風格與另外四幅明顯不同,讓我感到相當不解!
↑ 如有哪位帥哥美女能為我解惑一下  感激不盡!

 

費城美術館經典展:馬內到畢卡索 

導覽手冊:http://www.tfam.museum/SysUpDoc/FTP/UpFiles/Web_Admin/exhibition/Manet/Manet_to_Picasso.pdf 

官方網站:http://manettopicasso.pixnet.net/blog/post/7238525

展覽日期:6/26~9/26,09:30 ~ 17:30﹙逢週六至20:30﹚
展覽地點:台北市立美術館三樓﹙台北市中山北路3段181號﹚
票價資訊:全票250元/學生票200元。
免票資格:115cm以下兒童、持身心殘障手冊或殘障手冊及其監護人或必要陪伴者一人。 

 
 

 

 

arrow
arrow

    一粒沙的網路世界 發表在 痞客邦 留言(9) 人氣()